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Radha



Mon - Sat at 13:30

Mohan & Sharadamma tries to arrange marriage Rukku once again, but they fail. It makes Rukku fells bad. She wants to change her life. She asks Bharathi to get one job for her. But after some days Mohan and Rukku made one dissection that they play drama in front of Sharadamma because they want to make Sharadamma happy. Every one believes that Radha was dead, but Radha was safe in Jeeva’s house. Accidentally Jeeva’s friend Vasanthi comes to that house. She started to say about her. In Bharathi track she implementing her father plan. First step of the plane is to get one job for Rukku in Parameshwariah’s office.

Bande Baratava Kaala



Mon - Fri at 22:00 Hrs.

Because of relation ship with Mohini Alwa faces the Nagaveni. Negligence it stops him to sale house. It creates many problem. Niveditha leaves her husband and she comes to Alwa’s house. It once again creates misunderstanding between them.

H Katte Giriyamma



Mon - Sat at 15:00 Hrs.

Serial Helevana Katte giriyamma was a saint poet of Karnataka who wrote devotional songs of Bhakthi cult during 18th century.



Helevana Katte Giriyamma is a devotional period story of Helevana katte Giriyamma.



Who is the centre character of the story. It deals with devotional,

social responsibility, magical and miracle aspects of Giriyamma.

Giriyamma born in Ranebennur of Karnataka, as normal women. But she reached huge heights in devotional path by writing songs on Krishna.

Maneyondu Mooru Bagilu



Maneyondu is completely family drama. The new story developing in three different tracks. In one track Asha is giving importance to srikantha her elder son. But in the family every body is hat rating him because of he was clouted to his parents. In another other track Ashock suspended from SI Shivanand became CM, he is faking revenge on him. In third frank Ravi’s Album became flop. His wife Ashawini album became hit. So menus Ravi’s lover she is fring to brance their relation. So, story is very interesting and carious.

Naaku Thanthi



::PROGRAM TIMINGS
Sunday --
Monday 16:00-16:30Hrs
Tuesday 16:00-16:30Hrs
Wednesday 16:00-16:30Hrs
Thursday 16:00-16:30Hrs
Friday 16:00-16:30Hrs
Saturday --

The ups and downs of the commoner’s life can as well be called as a mirror of the modern society. "NAAKU THANTHI" is an effort to bring these contemporary economic issues to the small screen wherein an individual is assessed by what material things he has more than the individual humane interests.

JOGULA



JOGULA [ Mon-Fri : 8.30 pm ]

Devaki Niranjan, 26 year old good looking girl is working for a call centre in Bangalore, lives in a PG accommodation with two others. She has a love affair with Vasan, who is working for some IT company. With him around her, she believes there is only one happiness in life, to love and be loved.

While the odd work hours of the call centre and disturbing sleep-awake pattern take toll of their love life, Vasan gets an offer from American Company. That is a life time opportunity for him and Devaki feels her lover should not miss out. But to settle few things before flying to America, Vasan desperately needs money. Coming from a poor family Vasan struggles to find the way out while Devaki tries in desperation for money.

At the same time, in another part of Bangalore, there is a married couple (Yashodha 32 and Nandakumar 33). All is well in their family. Money, position, love and everything! Except Children. Left with no choice, the couple go looking for a surrogate mother.

Desperations meet somewhere!

Devaki Niranjan becomes surrogate mother for Yashodha to get money for her lover.

But how long will that LOVE that she has sacrificed for stay? How long will she be able to hide the truth from this same LOVE of her life? How long can Yashodhara bear to have another women staying in her house? How long will Devaki remain unattached to the baby she is going to deliver? What about all the other people connected to their lives?

PARVATHI PARMESHWARA



Parvathi Parmeshwara : [ Mon-Sun : 10.30 pm ]

PARVATHI PARMESHWARA
Woman has always been portrayed as an embodiment of suffering and pain in most of the Television serials. Few have shown her as a woman of substance who stands against the atrocities inflicted upon the female sex. This persona of a woman has been so predominant that one wonders if there is any laughter, happiness and fun in a woman’s life.

PARVATHI PARMESHWARA – A comedy serial comes as a refreshing change. The serial is based on the hilarious escapades of Parvathi, the female protagonist of the serial. Her antics invariably lands her husband Parameshwara, into all sorts of trouble. All the efforts of Parameshwara to control his wife fails thus pushing him into further trouble. Parvathi represents a woman who is fun loving, comic and jolly- go- lucky, thus breaking the unwritten rule that Woman is a crying legend. Parvathi is a modern woman whom you laugh with and not laugh at. Parameshwara is a typical harassed husband who is always tense, worried and hassled, thanks to his wife’s stupid idiosyncrasies. The sense of humour in a woman is recognised, appreciated and highlighted in PARVATHI PARMESHWARA.

PARVATHI PARMESHWARA is designed as a daily sitting room comedy with a fresh story every day, which is bound to entertain all age groups, both men and women, alike. The serial is a decent, refined comedy, which encompasses slapstick, situational, and dialogue oriented comedy in the right proportions. The serial is designed without any traces of obscenity and vulgarity, hence it is fit to be viewed and enjoyed by the entire family.

PARVATHI PARMESHWARA, the stories shall begin, unfold and conclude in the same episode. Hence, there will not be any loss of story continuity is the viewer misses one or two episodes. The serial can set the mood for all the other serials telecast on the channel as it refreshes the viewer making him forget his tough day and all the day’s fatigue.

PARVATHI PARMESHWARA is a comedy of the present times. The serial has a bright upper class, swanky look. Dresses and costumes will range from postmodern to traditional Indian attires. Funny slapstick situations, comic punches and abundant physical comedy make PARVATHI PARMESHWARA a delight to watch.

PARVATHI PARAMESHWARA …The Characters
PARVATHI
PAARU for short is a typical middleclass housewife of the present day world. She has an exceptionally brilliant knack of landing into hilarious situations thanks to the over smart brain of hers which in unimaginably wacky. She is not a common housewife but an interestingly comic person, who will create situations that will tickle and make you laugh. She baffles everyone with her crazy pranks and funny remarks. It is an eternal mystery as to how she manages to land up in some stupid trouble quite often. Indeed she makes a fool of herself by acting very intelligent. She always tries to prove to her husband that she is intelligent. This always lands her up in some funny fix or the other.

PARAMESHWARA
Paramu as he always addressed by everyone is the poor blessed husband of Paaru. He is a professional actor but he seems to act more in real life than on stage or screen. He is a flexible person who takes his life easy, Paramu prefers to avoid friction with any body more so with his stupid wife. He is very understanding and doesn’t try stop his wife’s idiosyncrasies for he knows it would be impossible make his wife understand that she is stupid, surely not a sign of being “Henpecked”. Being intelligent he always pulls his wife out of the embarrassing situations she lands into. He loves her a lot and never gets angry at her at all.

SUBRAMANYA:
Subbu as he is addressed by everybody is Paramu’s man servant. He is a street smart and witty fellow who knows which side of the bread is buttered. He switches sides faster than a politician with ease. He is very much attracted to Vedavathi and goes all out to please her inspite of the fact that she despises him

VAISHAALI
VAISHAALI is a typical middle class woman. She is the neighbor of Paramu. She considers herself to be a guide to Parvathi. She keeps helping Paaru by giving her ideas to prove herself intelligent which needless to say always fails. She promptly barges into Paaru’s house every morning to have a cup of coffee. She is always ready to help Paaru.

VEDAVATHI
Alias VEDA is Vaishaali’s younger sister. She is a very dim witted woman and a great admirer of Paramu She thinks that ghe is the best actor in the world. She considers Paramu to be the most intelligent human being in the world. She enthusiastically helps Paramu whenever he lands up into some problem because of Paaru’s crazy pranks. Every body has accepted that the fact that she is dimwitted and they tolerate her. Her stupid reactions in serious situations create rib-tickling humour. She wants to be a radio jockey no doubt she always has headphone and a microphone on her.

GUNDU RAO:
A good for nothing happy go lucky fellow, Gundu Rao alias Gundanna is the husband of Vaishaali. He firmly believes that he can do anything and everything, from plumbing to publishing, from gardening to galvanizing, the list being endless. For each and everything he says, “Aden Maha? Naan adhakintha channagi maadtheeni !!!” He firmly believes that he was not cut out to work under anybody and that he should be his own boss. Needless to say he incurs the wrath of everybody more so his wife for every second incident.

DIBBANA



DIBBANA
: [ Mon-Fri : 8.00 pm ]

Late Mr. Keshav Rao had started a Beedi factory. His wife Smt.Sunandamma now is the head of the family. She has a grown up son, “Vishwaas” – a spoilt kid.

Mr. Keshav Rao has two brothers, Vasu and Venkatesh. Vasu a widower has a daughter “Padma” – a doctor by profession. Venkatesh has two children - Anila & Akanksha - who assist their father in the business.

Govind Rao an old employee of the organization is a close confidant of Smt.Sunandamma, and has a say in matters of finance and administration.

An incident triggers differences between the family members and their unwillingness in doing business together.

The process of change over of authority and power is the backdrop of the serial. Society, religion, politics, bureaucracy, media, judiciary, all these aspects come into consideration.

In their own self interest or for the interest of their family, they fight over various things. Over a period this discord starts having an effect on each person attitude, standard of living, values etc. This finally results in a change of equation amongst individual members of each of the families. It deteriorates and disintegrates families and eventually becomes the cause for the decay of a society.

Dibbana tries to portray the images of various disgruntled, unhappy and insecure individuals in this society, all living alone in their forts built by bartering “live” human relations for the “dead” static materials that does not decay but stays on forever, reminding of what was lost for this gain.

Under the able direction and screenplay of Mr.S.N.Sethuram, Dibbana has a powerful starcast that includes Veena Sundar, Rajinikanth, Harikrishna, Nitin, Preeti Chandrashekar, B.V.Rajaram, Shruti Naidu, Sujata Kurahatti, Shivaji Rao Jadhav and others